For Coffee Lovers
I was supposed to finish work, but then I had a creative block… or maybe I was just bored. Haha. Decided to make a Coffee Chart for the studio. :) Yes, I’m a coffee lover.
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You can download the hi-res file here.
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It’s based on Lokesh Dhakar’s Coffee Guide.
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Update: To those asking if I’m going to sell a print of this, I won’t. The original guide is under a Creative Commons License Attribution-Non Commercial.
Hey Hydra.
@hydradesigngrp
Cover for Settings Magazine a recently launched interiors magazine by Dimensione.
I’ll be talking about “WORK” for Creative Mornings Makati this Friday, November 27 830am at A Space Manila. You can register for the talk at http://creativemornings.com/cities/mkt
Kitakits. I’ll be talking about my work (obviously) and a bunch of other work related stuff that I haven’t talked about before as well. :)
Thank you CNN Philippines for the feature. Dyahe lang ako sa “Artist” label. Hahaha. :) Yey! Also #upfight
An illustration for the cover of net.mag
My favorite part of illustration work is making the sketches. These are old sketches for the Formula E posters, Magazine covers, and editorial illustrations. :)
Just got this from my email a few minutes ago. I’m so happy. The CS students of UP converted the handset Maroons Sans into actual ttfs. :) This is just the first version and it looks awesome as it is. Wohoo! Salamat! Salamat din Sir Siao for facilitating this. :) #upfight (at Plus63)
Our neon-powered callcards at @plus63designco are finally here. Thanks for bringing it over @aqb4. Printing by the awesome Paypress. :)
#UPFIGHT! Let’s Go UP. :) The Fighting Maroons Design Team. Huhu. Wala kayo @ajdimarucot @ralphguibs and @mandyrek
chasematt
chasematt-journal
For The New York Times:
“Why have so many of the modern-day grunts who mourn the loss of “old-fashioned” manhood hitched their wagon to a silk-suited flyboy? Since at least the 1990s, and at full tilt in the era of social media, men have been faced with a quandary: how to define their sex in a culture where visibility, performance and marketability are the currency.“
Art direction by Jim Datz
